Recent Grammy winner Víkingur Ólafsson announces his new upcoming album Opus 109. At the heart of the project is Beethoven’s Piano Sonata, Op. 109, a masterpiece of the composer’s late period, which Ólafsson places in an illuminating and musically thrilling temporal dialogue, tracing the lineages that converge on this beloved beacon of the piano literature.

While the pianist considers Bach as a vital precursor to Op. 109, represented on the album by three works including the monumental Partita No. 6, he also feels that Beethoven’s own Sonata No. 27 in E minor, Op. 90 acted not only as a precursor of Op. 109 but also as a direct influence on Schubert, in particular his early two-movement Sonata in E minor, D. 566.