Róisín Murphy’s album, ‘Hairless Toys’, marked a significant return after an eight-year hiatus, during which she delved into personal and collaborative explorations.

Departing from her disco-infused past, the album takes a quieter and more personal approach, evident in tracks like ‘Gone Fishing’, inspired by 1980s ball culture.

Murphy’s understated delivery, notably on ‘Evil Eyes’ and the expansive ‘Exploitation’, creates a sophisticated and meditative atmosphere, avoiding the pitfalls of mere tastefulness.

Quirks, such as the synth bass in ‘Uninvited Guest’, coexist seamlessly with the album’s cohesive mood.
This 2024 reissue sees the album pressed on red vinyl for the first time